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Issues of Class and Status: "The Inheritance", 2008.
A discussion of issues of class and status in Louisa May Alcott's novel "The Inheritance".
2,610 words (approx. 10.4 pages), 7 sources, MLA, $ 78.95
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Abstract
The paper examines how Louisa May Alcott explores issues of class status including issues concerning the wealthy and the poor in her work, "The Inheritance". The paper focuses on the life of the protagonist, Edith Adelon, born into what many would consider the lower class and eventually works her way into nobility. The paper calls it a typical tale of rags to riches. The paper concludes that, while class and status do have some role in society, they will never have a more important role than being a lovable character, such as Edith.
From the Paper
"Next comes the lower or "servant" class. Louisa May Alcott may fall into this class too, because she did serve her tenure during part of her life as a servant; many may consider her work as a writer of The Inheritance and of other books including Little Women enough to categorize her as "working" class or as "middle" class depending on whom you talk too. The same could be said of Edith. While she was taken in by the Hamilton's and lived much of her life in a way that suited them because she was eventually treated as their servant, she nonetheless did have some liberties, although few are outlined in the start of The Inheritance. Edith was not however, without money. This is the sole point that one may argue, makes her indistinguishable. The nobility are assumed to be part of the aristocracy. They have money because they are "born" into it and thus they have privileges that may include marrying the cream of the crop in society."
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Saul Bellow's "Herzog" and the Notion of Identity, 2008.
An analysis of the many aspects of Moses Herzog's personality as portrayed in Saul Bellow's "Herzog."
13,297 words (approx. 53.2 pages), 30 sources, MLA, $ 249.95
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Abstract
This paper analyzes the content of Saul Bellow's novel, Herzog." It specifically focuses on the many sides of Herzog's personality that emerge throughout the course of the book. It discusses Herzog as an intellectual, as transcendentalist, as an immigrant, as a Jewish American, as emblematic of the city and as a writer. The paper concludes that we are left with a portrait of a complex, confused and difficult individual who none-the-less comes to terms with himself.
Table of Contents:
Introduction
Herzog as Intellectual
Herzog as Transcendentalist
Herzog as Immigrant
Herzog as Jewish American
Herzog as Emblematic of the City
Herzog and the Role of Writing
Conclusion
From the Paper
"While this transcendentalist impulse keeps Herzog firmly rooted in the American tradition, he is never fully able to escape his European roots. As an immigrant, he is quintessentially American in a way - never fully "here" nor "there." He persistently holds on to the vestiges of the European tradition, as they are what unites him with history. He is afraid to let go of this history, afraid to fully let himself merge into the whimsicality of the present, and is thus afraid of the future. As Herzog remarks about the interior of a home: "The furniture was richly polished, old, of a vanished Central European epoch - but then this present epoch is vanishing, too, and perhaps faster than all the others" (Bellow 1964, p. 46).
"Like most of Bellow's protagonists, Moses Herzog is an American Jew. This positions him, despite his fairly conventional outlook on life, outside of the American mainstream, whether he likes it or not. Herzog feels most comfortable when he is in the company of other Jews, whether they be familial acquaintances or enemies - at least he knows where he stands with them."
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Waging Nonviolent Struggle, 2008.
A review of the book "Waging Nonviolent Struggle: 20th Century Practice and 21st Century Potential" by Gene Sharp.
1,027 words (approx. 4.1 pages), 3 sources, APA, $ 36.95
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Abstract
This paper reviews the book "Waging Nonviolent Struggle: 20th Century Practice and 21st Century Potential" by author and professor of political science, Gene Sharp. The paper explains that according to Sharp, the key to effective nonviolent struggle is the role of strategic planning, a topic this book focuses heavily on. The paper looks at how the book is presented with an introduction regarding the relationship between nonviolent struggle and political power. The paper then points out that the remainder of the book is comprised of twenty-three case studies of various, "improvised nonviolent campaigns in the 20th century selected on the basis of types of actions employed." The paper also notes that following the case studies, there is an in depth analysis of the specific dynamics of how a nonviolent struggle operates, along with a presentation of guidelines on how one can strategically plan for a nonviolent struggle.
From the Paper
"In presenting his case studies, Sharp is able to debunk numerous myths and misconceptions about the use of nonviolent struggle. For instance, the case studies present real examples of how nonviolence is not ineffective against dictatorships and genocide or that all nonviolent struggles rely on an appeal to the general moral character of the opponent. Instead these case studies demonstrate how, when strategic planning is employed, nonviolent struggles, such as economic boycotts and social noncompliance, can lead to a highly disciplined and thus successful movements that also create substantially lower overall mortality rates and less incidences of collateral damage, such as the killing of innocent civilians."
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Toni Morrison's "Paradise", 2008.
An analysis of the generational conflict in Toni Morrison's "Paradise".
2,006 words (approx. 8.0 pages), 1 source, MLA, $ 63.95
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Abstract
The paper relates that the main problem in the town Ruby in Morrison's "Paradise" is the way in which the old generation resents change and stubbornly clings to the past. The paper explains that this generational conflict reflects the results of slavery on the present state of mind of the blacks. The paper highlights Morrison's belief that the past should be dealt with by accepting it and adopting a dynamic attitude towards it.
From the Paper
"Like Morrison's other fictional works, Paradise is the portrayal of a community. The particular community described here is an all-black, extremely conservative society that lives isolated in a small town called Ruby in Oklahoma. The town of Ruby is created as an isolated, utopian society which, through its own established laws and government, is meant to thrive in an absolute, paradisiacal state. The reality is however rather dystopian than utopian: the community is obviously a self-enclosed patriarchal and exclusivist society, in which otherness be it racial or gender related is met by intolerance. The intolerance is reflected in the main plot of the novel: the elders of Ruby attack the Convent, the refuge of many women in the town and kill a few of its inhabitants."
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"The Epic of Gilgamesh" and "Genesis", 2008.
A comparative analysis of the flood myth in two ancient writings, "The Epic of Gilgamesh" and "Genesis".
1,015 words (approx. 4.1 pages), 3 sources, MLA, $ 35.95
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Abstract
This paper explores the differences and similarities between "The Epic of Gilgamesh", one of the oldest recorded writings from Sumerian or Babylonian mythology, with "Genesis" from the Judeo-Christian Bible. The paper argues that one of the main differences between the epic and "Genesis", is the Babylonian view that the gods are dangerous for mortals, and that their laws are irrational and cannot be predicted by the human mind. For Judaism and Christianity, on the other hand, God is the bearer of righteousness and a symbol of justice and everything that is morally virtuous. Nonetheless, the paper holds that there is a striking resemblance between the two accounts. The paper attempts to provide evidence sustaining the claim that the Mesopotamian account of the great flood is highly relevant to Christianity. It concludes that the myth of the flood is valid and incorporated in Judaism and Christianity and also in the collective conscience of the peoples who did not follow Yahweh.
From the Paper
"The Judaic-Christian and the Mesopotamian systems of belief are in clear opposition. Christianity and Judaism praise respect and obedience for the divinity as evidence of God's greatness and moral righteousness. God is the central figure of the faith system because He represents all that is good and right thus humanity must obey Him; here obedience is understood as a definite obligation. On the other hand, for Mesopotamians, respect and piety are the result of humanity's acknowledgement that it is both mortal and weaker than the gods. In this sense, the two virtues are not moral obligations, but a practical attitude which serves as an acknowledgement of the superiority of nature in terms of its power over humans."
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Nature in Robert Frost's Poetry, 2008.
A discussion of the figure of nature in Robert Frost's poems "Stopping by Woods on a Snowy Evening", "Never Again Would Bird's Song Be the Same" and "The Oven Bird".
1,985 words (approx. 7.9 pages), 3 sources, MLA, $ 63.95
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Abstract
This paper compares the use of the theme of man's relationship to nature in poet Robert Frost's works "Stopping By Woods on a Snowy Evening", "Never Again Would Bird's Song Be the Same" and "The Oven Bird". The paper argues that the poet frequently used images of nature in order to provide a symbolic reference for his message. All three poems indicate a dichotomy between untouched nature and the human influence, as well as separation from the natural world. The paper points out that rapid technological developments during Frost's lifetime caused him great concern. The paper concludes that, according to the poems discussed here, redemption is only possible by a reconnection to nature.
From the Paper
"Even in this joyous description, the poem is filled with regret. The reader is assumed to know the story of Eve, the fall, and the subsequent banishment from the garden even before reaching the end of the poem. The description of joy itself is therefore also filled with a sense of regret and loss. Regardless of the loss experienced, however, the sense of bittersweet memory remains. The birds are forever influenced by the contact they had with Eve. They regret her loss, and mourn for her, and therefore hold on to her essence in perhaps the vain hope that she might return some day."
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Guiding Characters in Literature, 2008.
An examination of the guiding characters in "The Divine Comedy" and "The Song of Roland".
1,340 words (approx. 5.4 pages), 2 sources, MLA, $ 45.95
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Abstract
The paper discusses how classical literature often uses pairs of dependent characters to justify the unusual, extraordinary adventures and experiences of the main heroes. The paper looks at Virgil and Beatrice in Dante's "The Divine Comedy" and Olivier in the anonymous "Song of Roland" as examples of guiding characters.
From the Paper
"The heroes of classical literature almost always have guides who help them or sometimes prevent them from achieving their goals. These character guides are sometimes the peers or friends of the heroes and other times supernatural beings or forces. The role of the guiding figures is obviously that of contributing to the initiating experience of the hero. Because the adventures portrayed in classical literature always have an initiating character, the main hero of the story requires help from other men or forces in his journey. Such guiding roles belong for example to Virgil and to Beatrice in the Divine Comedy, or to Olivier in anonymous Song of Roland."
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"White Teeth", 2008.
A review of Sadie Smith's book "White Teeth".
1,650 words (approx. 6.6 pages), 1 source, MLA, $ 53.95
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Abstract
This paper examines the novel "White Teeth" by Zadie Smith. Specifically, it outlines and analyzes the most important differences between England in the 1990s and the early 1960s, and the reasons why these differences emerged. The paper argues that the book is about history just as much as it is about relationships. In conclusion, the paper finds Smith's book to be an interesting assessment of family, immigration, and history.
From the Paper
"Immigration is a wedge between people in this story, and that is what it has become in Europe. What is most interesting is the way the immigrants themselves look at their children and their identities. Clara, a Jamaican black, is upset that her daughter's friends are all white, while Alsana, a Bengali, is upset that her sons' girlfriends are all white, as well. Both have different views of themselves and their society, but they both want their children to socialize with their "own kind," even though one married a man of another race, and the other married in an arranged marriage. They want to continue their culture and beliefs, but they left their countries and have come to England to find something more. This indicates the duality in immigrant relationships, and in the relationship between immigrants and whites, as well. There is always tension and mistrust, even in the most well meaning people, and this indicates the outlook throughout Europe (and much of the rest of the world) today. For many, immigrants are unwelcome and treated unfairly, and even for immigrants, they want to live in both worlds, but still do not accept everything about their new countries and the ideals of that country."
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Nature in Poetry, 2008.
A comparative analysis of the forces of nature in the poetry of Charles G. D. Roberts and E. J. Pratt.
1,721 words (approx. 6.9 pages), 2 sources, MLA, $ 55.95
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Abstract
The paper examines Roberts' "Tantramar Revisited" and Pratt's "Silences" and reveals the very different, almost opposed representation of nature in their poems. The paper discusses how Roberts conceives of nature as invested with spirituality, while Pratt views nature as something primordial and primitive, in contrast to man's extraordinary spiritual evolution.
From the Paper
"Charles G. D. Roberts and E. J. Pratt are two of the best known Canadian poets, both belonging roughly to the same late Romantic tradition. Their poetry has often been put side by side, especially due to the major prevalence of nature as a poetic theme in their all their writings. In turns, both Roberts and Pratt have been likened to one of the great English Romantic poets who were their predecessors. Thus, Roberts is indebted to Wordsworth, whom he follows faithfully in most of his work. On the other hand, connections can be found between Pratt's and William's Blake poetry, although in this case the influence may have been less conscious."
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Feminist Revision, 2008.
This paper compares and discusses two works about women: Gustave Flaubert's 'Madame Bovary' and Kate Chopin's 'The Awakening'.
1,955 words (approx. 7.8 pages), 2 sources, MLA, $ 62.95
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Abstract
In this article, the writer notes that works about women written by men are frequently compared to later works written by women. There is a clear line of reasoning in many cases that the later works are attempts by women to seek redress for the manner in which their gender was depicted in the earlier work. The writer points out that there is a clear sense that two works that deserve comparison on this theme are Gustave Flaubert's 'Madame Bovary' and the much shorter novella Kate Chopin's 'The Awakening'. In both works the point of view and lead character are that of a woman, seeking redress in a provincial world for a life that did not meet the expectations she had set for herself or her life in her youth. The writer maintains that to argue that 'The Awakening' is a feminist revision of 'Madame Bovary', requires a deeper analysis of plot and scenes within the works as well as narrative style and method and lastly the representation of the heroine in each work.
From the Paper
"Her last moments of life are spent in fear, as she sees an old blind poet, from her past standing near her window. Her death scene is then followed closely by funereal preparations and many descriptive details, described to her husband of the vast level of degradation she had experienced prior to her death. The point of view, switches contemptuously from Emma to her husband who unravels her infidelity and lack of providence, bit by bit, changing the perception of her death and her life accordingly.
"In comparison, Edna, in The Awakening takes her life by swimming into the gulf to far for any chance of return, has a clean introspective death, where she discovers herself and challenges her roles. She came to the realization that she no longer had longing fro her own life, and she had been unable to fulfill her desires as an independent artist."
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"Tortilla Curtain" and the American Dream, 2008.
An analysis of T. Coraghessan Boyle's 1995 novel "Tortilla Curtain".
1,250 words (approx. 5.0 pages), 1 source, MLA, $ 42.95
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Abstract
The paper discusses how Boyle's novel "Tortilla Curtain" evolves in a series of juxtapositions between two couples, one white, affluent, and jaded about the rewards of success (the Mossbachers) and the other poor, Spanish-speaking, yet filled with hope in the face of seemingly insurmountable odds (the Rincons). The paper analyzes the symbolism and irony present in the book and the focus on the American dream that turns out to be a lie. The paper comments that this work is both persuasive and sadly relevant to current immigration debates in America today.
From the Paper
"T. Coraghessan Boyle's 1995 novel Tortilla Curtain depicts the growing embitterment of the protagonist Delaney Mossbacher with illegal immigrants and Mexicans over the course of three clearly divided sections with the Spanish names, "Arroyo Blanco", "El Tenksgeeve", and "Socorro." The novel begins with Mossbacher hitting an illegal immigrant named Candido. At first, Delaney thinks that Candido is a wild animal, a coyote. Then he realizes that Candido is a man."
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"The Metamorphosis", 2008.
This paper looks at Franz Kafka's short story "The Metamorphosis" and analyzes its interpretation.
1,678 words (approx. 6.7 pages), 4 sources, MLA, $ 54.95
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Abstract
The paper discusses how Kafka's story "The Metamorphosis" can be interpreted in a variety of ways. The paper focuses on the central metamorphosis of Gregor into a creature and shows how there are many meanings attached to this event. The paper points out that what is most remarkable is that Gregor's positive feelings towards his family remain unchanged even while everything else changes unrecognizably.
From the Paper
"Kafka's short story, "Metamorphosis", presents a number of interesting obstacles for attempts at interpretation. Some interpreters for example focus on the fact that Kafka never indicates what kind of bug Gregor Samsa becomes. While the maid once refers to him as a "dung beetle", this is never corroborated by the rest of the text. While some hold that the main character is transformed into a cockroach, others note that the description of Gregor's form does not substantiate this. Indeed, Vladimir Nabokov even provides a sketch to illustrate this point in his lecture on Kafka's work. A further problematic issue is that Kafka never directly states the reasons for Gregor's transformation - either in symbolic or in realistic terms. Indeed, the reader is left to his or her own devices in providing a suitable interpretation and reasons for the strange event."
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Franz Kafka's Works, 2008.
A comparison of Franz Kafka's "A Hunger Artist" and "The Metamorphosis".
1,442 words (approx. 5.8 pages), 3 sources, MLA, $ 47.95
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Abstract
The paper analyzes Franz Kafka's stories "A Hunger Artist" and "The Metamorphosis", which are similar in theme and are reflections of the author's persona of self-destruction. The paper explains how alienation is a theme in both stories where the main character decides to separate himself from his surroundings. The paper also notes several minor differences between these stories.
Outline:
Franz Kafka's "A Hunger Artist"
Franz Kafka's "The Metamorphosis"
Comparison-contrast of the Kafka Theme of Self-Destruction in "A Hunger Artist" and "Metamorphosis"
Characters causing their own Destruction
From the Paper
"A Hunger Artist by Franz Kafka was first written in the year 1922 and also got published in a compilation entitled "A Hunger Artist". Kafka died in 1924, as he was completely involved in the process of correcting the galley proofs, however the collection was published the same year. Kafka's " A Hunger Artist" is considered to be one of the few scripts which Kafka did not request his friends to destroy or otherwise to burn after his death."
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Barack Obama Memoir, 2008.
This paper provides a book review on the work 'Dreams from my Father' by Barack Obama.
1,550 words (approx. 6.2 pages), 1 source, MLA, $ 50.95
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Abstract
In this article, the writer notes that for a memoir written by a senator and an aspiring presidential candidate, 'Dreams from my Father' by Barack Obama is a brilliantly candid document. True, the writer points out, that Obama was not a candidate when he penned the work in 1998. Still, he was clearly ambitious and had a future political and legal career on his mind and a potential agenda. He was a graduate of Harvard Law School, the editor of the prestigious Harvard Law Review, and in only two years he would be the Democratic junior senator from the largely Republican state of Illinois. The writer discusses that rather than affirm homilies about the goodness of America, Obama speaks openly about the difficulties of negotiating a viable sense of self and identity in contemporary America.
From the Paper
"Obama discusses how he struggled to know who he was as a young man, racially and in terms of his future. He grew up in a divided America, still polarized by the ideological revolutions of the Civil Rights movement and the ant-war movement. The quest for stability and identity is something that most adolescents can relate to, but this intense self-examination is rarely expressed by politicians who often want to project a secure sense of self, to avoid being accused of waffling. Now that Obama's youth and supposed inexperience are an issue in the Democratic campaign for the nomination, he might regret some of his words in Dreams from my Father, but from the point of view of telling a good story, his tale is compelling because it is so easy to relate to his struggle, whether a reader is black or white, or of mixed race."
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"The Panther", 2008.
A line-by-line explication of the poem "The Panther" by Rainer Marie Rilke.
1,327 words (approx. 5.3 pages), 1 source, APA, $ 44.95
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Abstract
The paper analyzes Rainer Marie Rilke's use of rhyme in his poem "The Panther" as well as the poem's central image of the animal behind the bars. The paper looks at the vision of containment and Rilke's attempts to capture the essence of a wild thing in a zoo and put it on display before the public. The paper suggests that this sense of wildness 'caught' may be why this poem still captivates readers today and strikes a chord with anyone who has visited a zoo or a place where animals are kept in captivity.
From the Paper
"When doing a line-by-line explication of the poem by Rainer Marie Rilke, entitled "The Panther," it is important to remember that the reader is dealing with a translation, not with the original text. In other words, when constructing the interpretation, the reader who cannot speak German can only understand the poem through the translator's imperfect rendition of the poem into English. In this case, the translator has chosen to create an ABAB rhyming structure in the first stanza, rhyming the words "bars" and "are." Then, the translator uses a slant, or slightly 'off' rhyme of the words "hold" and "world" to pair the second and fourth lines Although these words are not perfect rhymes, they still exhibit consonance, or similar consonant, hard sounds. Rhyming these words stresses the importance of the bars which 'are' impenetrable, and real, and that the entire world of the animal is contained or held."
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Guests and Strangers in Homer's Works, 2008.
A discussion of the treatment of guests and strangers in Homer's works "Hymn to Demeter", "The Iliad" and "The Odyssey".
766 words (approx. 3.1 pages), 3 sources, MLA, $ 27.95
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Abstract
This paper analyzes how Homer's "Hymn to Demeter", "The Iliad", and "The Odyssey" all explore the traditional customs of providing shelter for strangers and the consequences for breaking such customs. The paper points out that, in these three tales, one can see the importance placed on good hospitality. They are a reflection of the ancient tradition of receiving guests with kindness and generosity. Breaking these traditions proved disruptive of the rest of the community, and efforts were then taken to restore order. The paper concludes that Homer's writings give us key insight into the everyday values of Greek life and culture.
From the Paper
"These traditions are also highlighted in the breaking of them by the characters in Homer's tales. He highlights the action which broke these taboos, but also a negative response to it by the other figures in the story. When Demeter refused to allow healthy harvests, Zeus had to step in to stop her from taking the lives of millions of people in order to save her single daughter, (Morford and Lanardon 313). This shows the general negative attitude towards disregarding the health and welfare of strangers. Another prime example of breaking this taboo is the account of Achilles and his actions towards Hector's body. Many cultures showed respect to guests, even forced guests as in the case of prisoners of war. It was custom out of respect for fallen soldiers to return the body in order to get the proper funereal rites. In The Iliad, Achilles refuses this custom when he drags Hectors body and refuses to surrender it to the Trojans, (Homer Book 22, line 494). This was a taboo, despite the fact that Hector was an enemy."
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"Notes from Underground" as Social Critique, 2008.
A discussion of the social criticism found Fyodor Dostoevsky's "Notes from Underground".
940 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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Abstract
This paper examines how Dostoevsky's "Notes from Underground" offers the underground man as a highly astute critic of society. The paper claims that the underground man celebrates freedom in the face of all adversity, seeks freedom in his every action. It argues that the philosophy he espouses centers on the distinction between the rational and the irrational faculties and what follows from the conflict between the two. He specifically rejects the rational and finds that those who accept the rational as a basis for their lives are reduced as human beings and made less natural and more mechanical. The paper maintains that what the underground man celebrates instead is emotion, the irrational, and in a sense the unexamined. The paper holds that he withdraws from the social order, lives on his own terms, and celebrates freedom above governance in all things. The paper concludes that he does not mourn for the fact that long-term governance is not possible, but only observes that this is so and suggests that living outside the norms of society is a better choice in any case.
From the Paper
"The underground man chooses freedom over structure, but this choice is ironic. He chooses the freedom to do whatever he wants to do, but he says that the only answer for the intelligent man is to do nothing at all. Still, he sees the human being as made up of impulses that make the individual unpredictable. It might be best for the intelligent man to do nothing at all, but this might not be the decision the intelligent man makes. The underground man seems to have been shaped by forces that have determined what his decisions will be, but he is still able to make those decisions and is still influenced by both rational and irrational impulses as he does so."
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Joseph Howe Article 1865, 2008.
A review of the article "The Botheration Scheme" written by Joseph Howe in the "Halifax Morning Chronicle" in 1865.
822 words (approx. 3.3 pages), 3 sources, MLA, $ 29.95
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Abstract
This paper examines an article written by Joseph Howe, "The Botheration Scheme", and discusses how the context of Howe's column, which argues strongly for Nova Scotia's continued self-rule, continued British sponsorship, and opposition to confederation, is a mirror on the debates raging in Nova Scotia and the rest of Canada at that time.
From the Paper
"Howe's viewpoint was clear, but he had a more beneficent view of 10 Downing Street than many of his confreres at the Quebec Convention. Either because of geographic vicinity, or because of his successful efforts at the Court of St. James, Howe enjoyed the ear of British politicians and diplomats. Subsequent to the success of the Confederation, Howe took royal appointments, which required close collaboration with Great Britain. He also took a leading role in the building of a railway between Halifax and Windsor; since most funding for railway projects originated in London, one can be certain that Howe's good connections would also benefit there as well. "
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Emily and Mr. Mallard: The Torture of Love, 2008.
An examination of the negative aspects of love, as portrayed in "A Rose for Emily" written by William Faulkner and "Story of an Hour" written by Kate Chopin.
1,330 words (approx. 5.3 pages), 6 sources, MLA, $ 44.95
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Abstract
This paper discusses the contradictory emotions surrounding love in the form of fiction. It specifically explores the "nasty underbelly" to love through the prism of two short stories that grapple with these less pleasant aspects of love. It examines "A Rose for Emily" written by William Faulkner and "Story of an Hour" written by Kate Chopin.
From the Paper
"Both Mrs. Mallard and Emily are victims of more than just lost love or broken hearts - they are presented as victims of extreme circumstances. Both Faulkner and Chopin seem to infer, through their characters, that the rights of women in the south were so restricted by the roles they were expected to play that their freedom was inevitably stifled. This restriction would prove to be a major interference in their love lives, in addition to their general well being. Emily feels the effects psychologically - by turning into a psychopathic, necrophiliac murderer - while Mrs. Mallard internalizes her oppression to the extent that her heart ultimately gives out on her. As Anais Nin once wrote, "Love never dies a natural death. It dies because we don't know how to replenish its source." This is a lesson that both Mrs. Mallard and Emily must learn the hard way."
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