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"One Flew over the Cuckoo's Nest", 2008.
An analysis of the characters in "One Flew over the Cuckoo's Nest" by Ken Kesey and their role in the story.
857 words (approx. 3.4 pages), 0 sources, $ 30.95
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Abstract
This paper discusses the novel, "One Flew Over the Cuckoo's Nest" by Ken Kesey. It argues that Nurse Ratched purposefully goaded Billy Bibbit to commit suicide. It discusses how the writer's interpretation changes the ending in relation to the opposing interpretation. The paper then traces Chief Bromden's growth as a character and discusses the various stages he goes through.
Table of Contents:
Nurse Ratched's Role in the Suicide of Billy Bibbit
The Character of Chief Bromden
From the Paper
"Although McMurphy's defiance is a key element in Bromden's healing, towards the end of the novel Bromden emerges as having more integrity than his 'teacher.' He refuses to accept the money McMurphy wins after winning a bet that the Chief can move the control panel, because the bet was rigged--McMurphy already knew that the towering Chief could do so. Towards the end of the novel, Chief Bromden appears to be growing stronger, as he is able to mentally retain a sense of sanity even during electroshock treatments. When McMurphy is lobotomized after he physically attacks Nurse Ratched, the Chief is the man who frees McMurphy by taking his life, and escapes the ward by breaking the ward's window with a control panel, and hitching his own ride to sanity and freedom."
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Love and Fantasy, 2008.
An analysis of the themes of love in the works of James Joyce and Haruki Murakami.
2,276 words (approx. 9.1 pages), 10 sources, MLA, $ 70.95
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Abstract
The paper focuses on the short stories "Araby," written by James Joyce and "On Seeing the 100% Perfect Girl One Beautiful April Morning," authored by Haruki Muraka that deal with the same theme of love fantasy versus reality. The paper discusses how, in both stories, the protagonists wish love to be like the imagined erotic idealism that is read about in a fairy tale with a perfect union that ends "happy ever after." The paper then shows how the protagonists come of age and are unable to return to the innocence of youth and its fantasies.
From the Paper
"Love is a central theme in many of Joyce's stories and novels, yet his characters always find it difficult to define. Even Joyce, himself, found it a problem to use the word "love." When Nora asked him if he loved her responded in a round-about way that he "was very fond of her, desired her, admired and honored her, and wished to secure her happiness in every way; and if these elements were what is called love then perhaps his affection for her was a kind of love" (Ellmann 6). Joyce's confusion about love and its many varied sides is voiced in a number of his characters. In his works, he writes about all kinds of love from the most ideal and unrealistic to that of friends, family, God, and husband and wife."
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War in Literature, 2008.
A comparison of the style and perspectives on war that are portrayed in Tim O'Brien's short story, "The Things They Carried" and Yusef Komunyakaa's poem, "Facing It."
774 words (approx. 3.1 pages), 2 sources, MLA, $ 27.95
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Abstract
This paper discusses the ways that war is portrayed in literature. It specifically discusses and compares two literary pieces that reflect the heavy weight of war - Tim O'Brien's short story, "The Things They Carried" and Yusef Komunyakaa's poem, "Facing It." The paper looks at the different perspectives of the writer's and discusses how they convey the emotional strain of war through powerful imagery, tone, theme and point of view.
From the Paper
"In "Facing It," the poet's point of view is serious and nervous with a somber tone. He does not want to cry and tells himself he is made of stone like the wall. When he sees objects reflected in the wall, he is temporarily taken aback and must take a moment to gather himself. For example, when he sees the woman "trying to erase names" (30), he understands that he is catching a reflection of a woman brushing a boys hair. The images blur, representing the blur between the past and the present. In "The Things They Carried," the point of view is from a disillusioned soldier. We read that the soldiers "had no sense of strategy or mission. They searched the villages without knowing what to look for, not caring . . . (15). Here we see that the men feel lost even though they may know exactly where they are. They have no sense of belonging because war has removed any sense of security from them."
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Herman Melville's "Billy Bud, Sailor", 2008.
A persuasive essay on the novel "Billy Budd, Sailor" by Herman Melville.
1,295 words (approx. 5.2 pages), 4 sources, APA, $ 43.95
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Abstract
The paper introduces, discusses, and analyzes the novel "Billy Budd, Sailor" by Herman Melville. Specifically it contains a persuasive essay regarding sacrifice and the possibility of redemption in the novel. The paper states that in the novel, Billy dies as a result of miscommunication, hatred, and lies, yet, he accepts his fate and sacrifices his life for the rest of the crew. The paper relates that civilization should not require sacrifice, but for the sake of peace and freedom, most often, civilization does require sacrifice by one or many to remain free of anarchy and chaos. The paper concludes that the author questions what this says about our civilization.
From the Paper
"He compares other characters to ferrets, horses, and other creatures, and he does this again to separate the characters and indicate Billy's innocence and Claggart's evil. As noted, this also indicates just how closely aligned the characters are to the animal world, a world where the fittest survive, and chaos ensues if there is not order and dominance. Clearly, this applies to life on the ship, as well, and so, the society on board ship is somewhat animal-like and inhuman, which is why society demands for the execution of Billy. He is far too innocent and good to survive in this alien world, and Claggart, the most evil of all the characters, understands this far too well. "
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Langston Hughes, 2008.
This paper discusses the works of Langston Hughes, the famed African-American poet.
4,516 words (approx. 18.1 pages), 7 sources, MLA, $ 117.95
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Abstract
The paper examines Langston Hughes' poems "Let America Be America Again" and "I, Too, Sing America" that talk about the American Dream and its intrinsic connections with the African-American destiny. The paper shows how his work was influenced by his own life experience, the historical background through which he lived and by his sense of belonging to the African-American tradition. The paper discusses how Hughes' poetry is an essential influence over the subsequent periods through its creativity, style and powerful message.
From the Paper
"Langston Hughes is one of the greatest and most versatile poets of the twentieth century. His voice has defined and influenced his own age as well as the following centuries, imposing new artistic values in the literary world. Hughes is considered to be one of the leading voices of the Harlem Renaissance, the literary movement which aimed at the revival and assertion of the African American culture and its traditions. Naturally, his works are filled with African folklore and important cultural motifs, following the rhythms of the native tradition. But, most of all, Hughes' work is similar to that one of the greatest voices of America: Walt Whitman."
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William Blake and "The Tyger", 2008.
A short biography of William Blake's life and an analysis of his poem "The Tyger."
1,343 words (approx. 5.4 pages), 5 sources, MLA, $ 45.95
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Abstract
This paper discusses the Romantic poet William Blake and one of his most famous poems, "The Tyger." The writer explains how Blake's artistic talent led to him becoming an engraver, and how his technique of stereotype printing enabled him to produce his books himself. In analyzing "The Tyger," from Blake's "Songs of Innocence and Experience," the writer notes that it is necessary to keep its companion poem, "The Lamb," in mind as well. "The Tyger" is a poem of many levels and more questions than answers, and the writer finds that its scope is enormous because it makes its readers think of life, the world, God, nature, the universe, and themselves all at once. This intensity and immensity is characteristic of Romantic poetry.
From the Paper
"Blake's poetry is strong and confrontational - he is a poet that makes us want to think about things. He especially wanted us to think about God and what we thought him to be. His poems of innocence and experience provide two sides of God and man to us and leave us with plenty of food for thought. "The Tyger" is one of Blake's most celebrated poems because it forces us to consider the greatness of God along with his fierceness. The poem is successful because it makes us think about the questions without providing a clear-cut answer."
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"The Catcher in the Rye", 2008.
An analysis of the theme of innocence in J. D. Salinger's "The Catcher in the Rye".
770 words (approx. 3.1 pages), 1 source, MLA, $ 27.95
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Abstract
This paper examines how J. D. Salinger's novel, "The Catcher in the Rye", demonstrates the difficulty of growing up. It looks at how Holden's character evolves throughout the novel and how, by the end he realizes that innocence is a nice thing that does not last forever and regardless of how one tries to avoid the reality of the world, one must eventually face it. It also discusses how Salinger is successful about presenting the life and thoughts of a troubled teenager crossing from youth into adulthood.
From the Paper
"Holden is a cynic, and a very young one at that. He does not have much faith in the world and thinks that the grown-up world (i.e., the real world) is phony. Like many young adults, he believes he has the world figured out and wants no part of it. Holden has a difficult time with certain truths about life, as demonstrated through his emotional breakdown mentioned at the beginning and the end of the novel. "
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Herman Melville's "Billy Budd", 2008.
Looks at the transcendental core of Herman Melville's novella "Billy Budd".
1,995 words (approx. 8.0 pages), 5 sources, MLA, $ 63.95
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Abstract
This paper explains that the plot of Herman Melville's "Billy Budd" revolves around the central axis of the war between good and evil by using Biblical and mythical allusions. The author relates that, although Billy Budd seems to be the innocent character, from a religious point of view he becomes guilty after committing an involuntary crime. The paper concludes that the central message of the story is that natural innocence is to be preferred instead of moral truth.
From the Paper
"The character of Billy Budd is drafted on an opposition between the natural and the religious truth. He is at once portrayed as a noble savage, with a natural charm and a baffling innocence. Billy attracts everyone through his natural and pure character, but at the same time, he inspires some of the others with sinful feelings of either desire or envy. His shipmates and the captain also are irresistibly drawn towards Billy as to something incredibly pure and innocent. His beauty also emphasizes the idea that he represents natural perfection. He represents nature in its pristine form, untouched by the usual tinges of civilization. In shape, he seems to be descended from the "unadulterated blood of Ham", an ideal representation of nature and savageness, with an intensely black skin:"[He was] so intensely black that he must needs have been a native African of the unadulterated blood of Ham. A symmetric figure much above the average height."(Melville, 2) His shipmates swarm around him, attracted irresistibly by his natural virtue and sweetness: "Not that he preached to them or said or did anything in particular; but a virtue went out of him
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Sociological Concepts in Literature, 2008.
Examines five literary sources to explore the sociological concepts of transculturation and hybridity, orientalism and cultural translation.
1,595 words (approx. 6.4 pages), 5 sources, MLA, $ 52.95
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Abstract
This paper explains that postcolonial literature, such as Salman Rushdie's "Midnight's Children", deals with transculturation and the incredible and complicated processes, which lead to hybridity of the colonizing and the colonized cultures. The author points out that Arundhati Roy's "The God of Small Things" and Rudyard Kipling's "The Jungle Books" both represent the deeply rooted differences between the cultures of the West and the East. The paper also looks at Brian Friel's "Translations", Tsitsi Dangarembga's "Nervous Conditions" and Achmat Dangor's "Bitter Fruit" to illustrate that cultural translation is a potent metaphor for the way in which one civilization may try to interpret another through its own terms.
Table of Contents:
Transculturation and Hybridity: Salman Rushdie's "Midnight's Children"
Orientalism: Arundhati Roy's "The God of Small Things" and Rudyard Kipling's "The Jungle Books"
Cultural Translation
From the Paper
"Not accidentally, in "Midnight's Children", Saleem revises his own ancestry along with the historical past. The stories of his grandfather Aziz, a young doctor who is educated in Britain and thus already a hybrid himself, are very relevant at this point. Thus, his love story with Naseem is very interesting because it tokens the conflicting cultural attitudes between the Indian and the British cultures. While the Western civilization requires and allows a thorough physical examination of the body before establishing a diagnosis in case of an illness, the Oriental culture denies the propriety of this direct contact between a young man and a young woman outside marriage."
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Kaffir Boy: An Autobiography, 2008.
An analysis of Mark Mathabane's book "Kaffir Boy: An Autobiography", specifically focusing on apartheid in South Africa and the appalling prejudice and segregation between blacks and whites under the regime.
938 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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Abstract
This paper introduces, discusses, and analyzes the book "Kaffir Boy: An Autobiography" by Mark Mathabane. Mathabane's book allows the reader to enter the South African world of apartheid and understand more about the system as it worked in South African life. Apartheid, a system of separation and segregation between blacks and whites existed in South Africa until 1994, and it drove a wedge between the people, the country, and its relationship with the world. This paper discusses how the book shows the deep wedge between races, and how much blacks suffered under the system. Furthermore, it looks at how Mathabane's story makes the time of apartheid real to the reader, and shows how prejudice and hatred can tear a people and a country apart. It also discusses that even with apartheid and racism, the author still deeply loves his home country.
From the Paper
"As the book continues, it is difficult to believe some of the atrocities and outrages were allowed to continue as long as they did. The whites oppressed the blacks and other minorities so completely, it was difficult for them to even survive. For example, Mathabane's father is arrested simply for being unemployed, one of the 'worst' offenses a black man could commit in South Africa. Some of the situations would be laughable, if they were not so real, and many of them are remarkable. Blacks are not allowed to own houses, and the government can tear down their ghetto on a whim, leaving entire families homeless and desperate. Yet, the whites, who enjoy an incredibly high standard of living, do nothing to ease the tensions and inequalities in their country. It is as if there are two separate countries, united only by the name, 'South Africa,' and the as the book continues, it draws the reader in, until they feel as if they are a part of the fight for freedom. It also makes them feel outrage that such atrocities were allowed to continue for so very long."
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Literature: Women inside the Patriarchal Society, 2008.
Compares the depiction of the life of women inside the patriarchal society in Rebecca Harding Davis' 'Life in the Iron Mills" and William Faulkner's "A Rose for Emily".
895 words (approx. 3.6 pages), 4 sources, MLA, $ 31.95
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Abstract
This paper explains that the female protagonists in Rebecca Harding Davis' 'Life in the Iron Mills" and Faulkner's "A Rose for Emily" are very different. However, the two women are markedly the prisoners of the patriarchal society that has caught them in its net. The author points out that both women focus all their energy on their male companions, being almost obsessively preoccupied with them. The paper describes both stories.
From the Paper
""Life in the Iron Mills" is the somber story of the grey, empty life of a worker in the iron mills, Hugh Wolfe. In the midst of his brutish life, he has an artistic vision: he is able to model figurines out of the waste materials left at the mill. His aspirations are thwarted nevertheless, and he dies in utter misery. His fate obviously symbolizes the terrible destiny of the working-class people, who had no perspectives outside a barren, instinctual life. The secondary character of this story, Deborah, who is Hugh's cousin, is however an even more interesting figure which perfect the realistic picture drawn by Davis."
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"The Death of Ivan Ilych", 2008.
A psychoanalytic review of Leo Tolstoy's "The Death of Ivan Ilych".
1,247 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper analyzes Tolstoy's "The Death of Ivan Ilych", by integrating the theories of Sigmund Freud and Jacques Lacan in order to examine the development and indeed demise of the main character. It looks at how Ivan develops from a young person with very idealistic, if somewhat mundane ambitions, to a disillusioned and emaciated man on his death bed. The paper further discusses how Ilych's condition of ego-idealism and narcissism was to a great extent to blamed upon both his society and his childhood and how tragically, he appears to have left this legacy to his children as well.
From the Paper
"Many of Freud's theories have been popularized by today's cultures in terms such as repression, libido, superego, fetishism, and others. Felluga however warns that such terms should not be taken at the often shallow interpretations presented today, but that they should be investigated in terms of Freud's original meanings. Particularly applicable to Tolstoy's main character in The Death of Ivan Ilych are Freud's concepts of repression and superego. Lacan built upon Freud's work to create his theory of the subconscious, and also to create new terms such as the natural or essential reasons for psychic processes. Of use here are instincts and ideology."
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Identity and Myth in "The Odyssey", 2008.
An exploration of the problem of identity and the role of mythology in Homer's epic poem "The Odyssey."
2,967 words (approx. 11.9 pages), 6 sources, MLA, $ 87.95
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Abstract
This paper explores selected themes in Homer's Odyssey. The writer analyzes the use of disguise in the story to conceal identity, and how Penelope finally identifies Odysseus as her husband in spite of his disguise. The writer examines the role of Athena, who also changes her identity repeatedly, as the mythical power behind Odysseus, and the one who transforms him into an old beggar before his return to Ithaca. The writer discusses the paradoxes that arise from concealing and from changing identities in the story, and concludes that, whether disguised or not, Odysseus is always a powerful presence throughout the story.
Outline
ONE: Among the Most Important Scenes in The Odyssey: Penelope and Odysseus
TWO: Theories of Myth and The Odyssey
THREE: Ways in Which Identity is an Important Theme in The Odyssey
From the Paper
"This story has within it a lot of imagery and straightforward references about the identity of people, and their changing identities affect the theme of the story. Homer is writing about characters and their identity all though the story; some characters change their identity, some even hide their identity, and it seems as if the symbol of those confusing changes of identity comes down to the poet looking at a common human problem."
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"Faerie Queene", 2008.
An analysis of nature as a testing ground for the human soul in Book One of Edmund Spenser's "Faerie Queene."
1,563 words (approx. 6.3 pages), 1 source, MLA, $ 51.95
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Abstract
This paper discusses Book One of Edmund Spenser's epic poem, "Faerie Queene," in which nature serves a primary purpose as a testing ground for the human soul. The paper also discusses the plot of the poem and the characters involved. It looks at the imagery and what it portrays about nature as a testing ground. The paper concludes that by the end of Canto Six, Spenser has established nature as the ultimate battle ground between good and evil in the human spirit.
From the Paper
"Nature is contrasted with the supernatural in Spenser's story, too. Shape-shifting beings, dragons, and sundry other phantasmagoric creatures populate the woods of the Faerie Queen. Spenser's depiction of dragons and other supernatural beasts suggests an interface between the natural world and human intelligence. The beasts are not part of the natural world but they live in it, just like human beings. Human beings are shown to be in the world but not of it; unlike the trees and beasts of the forests, human beings are not entirely comfortable in nature. They are also unlike the woodland gods, supernatural creatures who are wholly in tune with wilderness but who have yet to transcend the ignorance of the animal mind."
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The Benefits and Dangers of Solitude, 2008.
This paper analyzes the experience of solitary confinement in May Sarton's "Journal of a Solitude" and "The Rewards of Living a Solitary Life" and in the 2000 film "Castaway," directed by Robert Zemeckis.
1,319 words (approx. 5.3 pages), 3 sources, MLA, $ 44.95
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Abstract
The paper explores how solitary confinement proves a challenge to the author and poet May Sarton, as well as the protagonist Chuck Noland of "Castaway," the 2000 film based upon the real-life experiences of a FedEx employee tragically stranded on a desert island. The paper examines the profoundly different responses of the two characters to solitude. The paper explains that Noland is a man trapped against his will on an island with only a volleyball, while Sarton has recourse to friends and simply chooses to live alone, in relatively comfortable circumstances.
From the Paper
"Both works suggest that human beings are fundamentally social animals to some degree, and need companionship as a way of remaining mentally stable, emotionally centered, and sane. However, because Sarton's solitude is occasionally broken with some visits from other people, it does not have the soul-destroying character that Noland's solitude has. Because Sarton's solitude is chosen, she can take delight in the spiritual rewards provided by a life apart from the hustle, bustle, and time constraints of the rest of the social world. And perhaps most importantly of all, even though Hanks learns a great deal during his time on the island, because Sarton embarked upon her solitary life with a purpose, to pursue a fruitful writing career and to avoid the distractions of too much society, she enjoys her time alone"
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Conflict in "Antigone", 2008.
An analysis of the main thematic conflict in the drama "Antigone" by Sophocles.
1,379 words (approx. 5.5 pages), 1 source, MLA, $ 46.95
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Abstract
This paper discusses the main thematic conflict in the tragic drama "Antigone". Specifically, the paper relates that the main thematic conflict in "Antigone" is Antigone's rebellion against authority and law. The paper then looks at how Creon represents the power of the state, while Antigone represents the individual. The paper explains how the conflict is resolved in a tragic way; Creon loses some of his pride while Antigone loses her life.
From the Paper
"Early in the play, it becomes clear that Antigone is not afraid of the power of Creon or the state. She believes the laws are unfair, and she is not afraid to stand up against them and challenge Creon and his power. She believes the gods are the only ones who can truly make the laws, and this sets up the conflict between Antigone and Creon that lasts through the entire play. She says, "Creon is not strong enough to stand in my way" (Sophocles 1304), and she truly believes this, which is why this tragic conflict continues. She loves her brother enough to sacrifice herself to make sure he is properly buried and she will not let the laws of a powerful king stand in her way."
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The Stranger Beside Me, 2008.
An analysis of a serial killer as described in the book "The Stranger Beside Me'' by Ann Rule.
1,326 words (approx. 5.3 pages), 1 source, APA, $ 44.95
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Abstract
The paper discusses the character of a serial killer. Referring to the book "The Stranger Beside Me'' by Ann Rule, the paper discusses how the character Ted Bundy fits the archetypal profile of a serial killer. The paper discusses his psychopathic behavior which is rooted in a combination of reasons as discussed by the paper.
From the Paper
"Indeed, Bundy had a standard modus operandi that he employed that law enforcement caught on to very quickly in the investigation. This involved the usage of crutches or a cast, to give his victims the idea that he was injured and elicit sympathy. He would ask them for help in carrying something, at which point he would lead them to his car, which would typically be parked in an isolated area, and hit them on the head with some sort of object and drive off with them in his possession. This modus operandi did not work every time, as Rule notes in her book (71). But it was likely this trick that led to the disappearance of Georgeann Hawkins, among others. "
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Marie de France's "Eliduc", 2008.
An analysis of the social conventions and gender differences in Marie de France's "Eliduc."
1,173 words (approx. 4.7 pages), 2 sources, MLA, $ 40.95
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Abstract
This paper introduces and discusses Marie de France's "Eliduc," which is a typical Medieval story of courtly love. It describes the plot of the story, as well as the main characters. The paper then discusses Gayle Rubin's theories about the the social conventions of the story of "Eliduc" in her work, "Traffic of Women." It also describes how Rubin specifically looks at the social conventions regarding the gender differences in Marie de France's story.
From the Paper
"By taking the example of the animals, the characters highlight the importance of unrestrained desire, which does not wait for social confirmation or acceptance of an action. Expectedly, the triangle would have been solved either with Guilliadun's death or with the sacrifice of the unlawful couple. Here however, social oppression is shaken off by the sacrifice performed by Eliduc's wife. Without further thought, she is so rejoiced at the revival of Guilliadun that she decides instantly to go to a convent and take the veil, thus leaving her husband free to marry his chosen lady. Love is thus placed hierarchically above the constraining marriage. The end of the story brings back the reconciliation of the characters with God, as they marry and then all retire to a convent: "Eliduc married his beloved; the celebrations were conducted with great honor and a noble service on the day of their wedding. They lived together for a long time, and their love was entirely courtly. They gave generous alms and did good deeds, until finally they turned towards God."("Eliduc") Earthly love and divine love are thus brought together and reconciled."
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Censorship in "Beauty and the Beast", 2008.
A comparison of censorship in "Beauty and the Beast" in one of the original versions by Jeanne Marie Le Prince de Beaumont and a modern re-telling by Angela Carter, entitled "The Tiger's Bride."
1,118 words (approx. 4.5 pages), 4 sources, MLA, $ 38.95
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Abstract
This paper discusses censorship within the fairy tale, "Beauty and the Beast." It compares two versions of "Beauty and the Beast" - one of the original versions by Jeanne Marie Le Prince de Beaumont and a modern re-telling by Angela Carter, entitled "The Tiger's Bride." The paper examines the function of sexual desire and how censorship is employed to either dilute or completely erase representations thereof.
From the Paper
"It is also interesting to note the difference between the depictions of Beauty in the two stories. In de Beaumont's story, Beauty exudes all the quintessentially feminine "virtues" that would go unchallenged for several centuries. She is devoted to her father, submissive to the demands of the two men in her life - namely, her father and the Beast, and completely passive. In Carter's story, Beauty is anything but passive. Rather than "taming" the Beast by submitting to him, she allows herself to be transformed into a beast, and can thus become one with all the typically "masculine" qualities assigned to the creature.
"One important difference between the two stories, however, is that de Beaumont's was written for an audience of children, while Carter's clearly was not. This is also why sexual desire is largely absent from de Beaumont's text. It has not been censored necessarily in order to protect children, but for the simple reason that this form of desire is too complex for children to understand. It thus reduces the relationships among adults to caricature-like renderings, to a polite code that can nevertheless be unscrambled by more mature readers."
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